Durability of Traditional and Modified Limewash
[Download not found]In 2004, NCPTT partnered with Cane River Creole National Park (CARI) and Quality Finish to study the durability of limewash for use on buildings in the Park.
NCPTT partnered with CARI to determine the durability of traditional and modified limewash recipes. CARI wanted to identify a lasting, low-cost limewash that was applied in approximately three layers and would last three to five years. Quality Finish, a local paint contractor, joined the project to ensure that limewash could be applied by local craftsmen outside of a laboratory setting.
The study looked at traditional and modified limewashes made from four different lime sources. Traditional additives such as salt, alum, molasses and others were tested. Different limewashes were applied to handmade brick, modern brick, weathered wood, rough sawn wood, and epoxy fill materials.
Standard test methodologies were used as defined by the American Society for Testing and Materials (ASTM) standards. We measured abrasion, adhesion, and color change on samples before and after artificial weathering. The amount of solids applied to the samples was estimated by weighing. Next we developed numerical ranking system to take into consideration performance on various tests.
The Laboratory Tests
Abrasion testing was based on ASTM D 968-96, allowing us to rank how a limewash might stand up over time to abrasion from wind and rain borne particles. The results were averaged for each wash and the best performers were those samples that required the highest amount of sand, indicating that they had formed a harder, more cohesive finish.
Adhesion testing was performed to evaluate how firmly the limewash bonded to the samples, following ASTM D 3359-95.The results were averaged and the best performers were the samples with the least limewash loss, indicating the limewashes that bonded most tightly to the material.
History of Limewash
Limewash was the traditional finish for centuries on both the exterior and interior surfaces worldwide. Lime is one of the world’s oldest building materials. It was readily available at most job sites. Limewash was applied to surfaces for both it’s protective and aesthetic qualities.
Limewash is a mixture of slaked lime and water that, as it dries, reacts with carbon dioxide in the air carbonating creating a tough, “rock” like coating. Lime begins as limestone that is burned (heated) at high temperatures removing the carbon dioxide and moisture from the stone creating calcium oxide (quicklime). The quicklime is then slaked, water is added, to create a workable material. Hydrated lime is a dry powder that is created when a minimum amount of water is added to quicklime. Lime putty is created when an excess amount of water is added to quicklime.
Limewash is often considered to be a tactful historic building material because it allows a greater water transfer than most modern finishes. If a structure suffers from rising damp, where water moves up the interior of walls before evaporating, a modern paint often does not allow for moisture transfer. Thus the moisture becomes trapped in the wall creating a environment that could lead to damage or material deterioration.
Hydrated lime is a dry powder that is created when a minimum amount of water is added to quicklime. Lime putty is created when an excess amount of water is added to quicklime.
Limewash is often considered to be more sympathetic to historic building materials as it allows for greater water transfer than most modern finishes. If a structure suffers from rising damp, when water moves up the interior of walls before evaporating, a modern paint often does not allow for the wall to dry out. Thus the moisture becomes trapped in the wall creating a environment that could lead to damage or material deterioration.
Limewash was traditionally prepared on site by skilled craftsmen and applied in the spring or fall for optimal temperatures. Additional ingredients may be included in limewash to provide additional chemical or physical properties. Additives require careful consideration due to the possible adverse affects.
Pigments were a common additive included in limewash to vary the color of the finish. Earth pigments are recommended to maintain consistent color and limit changes from the alkalinity of the limewash. Moderation was necessary when adding pigments to limit the weakening effect of excessive amounts of additives.
To maintain consistency in the limewash an amount large enough to complete the project was mixed and agitated throughout application. If the limewash dried too quickly carbonation would be disrupted, forming a finish that tended to crack, powder, and lacked strength.
Limewash was applied in thin layers, constantly maintaining a wet edge. Multiple layers were applied with sufficient time to dry between applications. Drying times were 24 hours or longer depending on exterior conditions such as humidity and temperature.
Three or more layers were recommended for the initial limewashing. Annual reapplication was necessary to counter weathering from exposure. Successive limewashings required fewer layers.
Beginning in the 1900’s limewash became less used in urban areas while its popularity continued in rural settings until as late as mid-20th century. An increase in modern, long-lasting buildings materials and the rising cost of labor may have contributed to its waning popularity.
Results of Study
A variety of limewash recipes were tested on multiple sample materials for possible use at CARI. Based on the results, the most important distinction among the recipes tested was the additives used, rather than the type of lime. The adhesion of the limewash was also greatly affected by the substrate to which it was applied.
The more porous material, brick, allowed for a better adhesion of the limewash, creating a more cohesive coat and increased durability. On porous materials such as brick, soluble salts can be very detrimental. Therefore, limewash prepared with a salt additive may be detrimental to porous materials. Washes with salt did not perform better than limewash prepared without additives after artificial weathering. On the handmade brick Wash M performed almost twice as well on all tests after artificial weathering.
The porous structure of handmade brick makes a primer unnecessary to assist in the adhesion of limewash to the surface. For application on handmade or historic brick wash M, Graymont Niagara lime putty and water, would likely provide the best results in field applications.
None of the limewashes tested were long-lasting on the wood samples, which could be attributed to using only three layers of limewash on the wood samples. The wood itself has been unfinished for numerous years, which most likely contributed to the poor adhesion and would have affected any finish applied to it. However, there was a noticeable difference in performance between the washes applied after Edison Coatings Primer #342 and those that were applied to bare wood.
The limewashes applied to wood samples after primer performed better during the study. In applications where an acrylic primer is deemed an inappropriate treatment on wood, Wash E with Graymont Niagara lime putty and casein would likely be a good choice for use. Epoxy samples experienced results that were comparable to the same recipes on the wood samples. Wash E was the best performer on the wood and epoxy samples.
Additional research is needed on the physical and chemical properties of limes commercially available in the United States and Europe in order to gain a clearer understanding of its role in limewash. Application of a greater number of coats of thin layers and investigation of the effects of temperature and humidity on carbonation may provide greater insight into the durability of limewash.